July 20, 2010   34 notes
deleteyourself:

The watermelon cooler. (Link)

deleteyourself:

The watermelon cooler. (Link)

July 2, 2010   13 notes
brilliantinemortality

brilliantinemortality

July 1, 2010   98 notes
(via futurisms)

(via futurisms)

June 13, 2010
excessivehappiness:

Jim , Kaley and Johnny

excessivehappiness:

Jim , Kaley and Johnny

June 9, 2010   11 notes
(via fuckyeahjewishwomen)
the best best best

(via fuckyeahjewishwomen)

the best best best

June 7, 2010   6 notes
(via rustycunt)

(via rustycunt)

June 6, 2010   5 notes

respectmysexy:

An afternoon with Miss Giroux in my livingroom

June 5, 2010   2,134 notes
retrogasm

retrogasm

May 31, 2010   3 notes
[Flash 9 is required to listen to audio.]

barneybarney:

the dead weather - treat me like your mother

May 31, 2010

Zimbio: If Son House’s “Grinnin’ In Your Face” is your favorite song, why did you cover “Death Letter” instead?
Jack White: Someone had played “Death Letter” for me when I was about 18 or 19. I had already heard “John the Revelator” and I was in love with that. Then I heard “Grinnin’ In Your Face” and that was the end of it for me. I just couldn’t believe it. By the time the Stripes started recording, I wanted to sing “Grinnin’ In Your Face,” but it was too special to me. I didn’t want to insult it, and I thought, “I can’t do it any justice, trying to record it.” So, we picked “Death Letter,” just off-the-cuff. We recorded that song in my living room. The door was open and I was looking at Meg, while we were recording. When I finished the song, Meg had this scary look on her face and I was like, “What?” And there was a drunk man standing behind me, who had wondered in the house. He was standing there in the hall, and it took me about a half-hour to get him to leave. Always lock the door when you’re recording, I guess.